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Something went wrong (or got lost) in the translation of Graham Swift’s novella to the movie adaptation, directed by Eva Husson from a screenplay by Alice Birch. There’s no debating that the finished product looks gorgeous, with all credit due...

As a tale of human courage and personal triumph, Murderball works. As a sports documentary, it falls short of the mark. Fortunately, Henry Alex Rubin and Dana Adam Shapiro's crowd-pleasing movie (it won the Audience Award for Best Documentary at ...

As something of a World War II buff, I know a thing or two about D-Day. Yet the story told in Pressure, based on real events as presented in David Haig's stage play of the same name, was partially new to me. While I knew the weather played a s...

The Quiet is a psychological thriller from director Jamie Babbit (But I'm a Cheerleader) that takes viewers to darker places than those to which one is typically transported in movies of this sort. The subject matter includes four kinds of abuse: ...

While watching Tom George’s See How They Run, two references came to mind (in addition to the obvious Agatha Christie ones): the oeuvre of Wes Anderson and Rian Johnson’s Knives Out. Although See How They Run isn’t as head-scratchingly quirk...

Street Kings has the look and feel of an '80s cop thriller. Despite the predictability of the overall story arc, there's suspense and tension to be found between the credit sequences, but the movie is saddled with an ending that is both improbable...

Sweet Virginia is an odd title for a movie set in Alaska. An early version of this moody, atmospheric neo-noir thriller was located in the Appalachian Mountains; however, when director Jamie M. Dagg came on board, he moved the setting far to t...

We Are Marshall is precisely what one expects from a true sports story: it's uplifting and inspiring. Although the film does not ascend to the pinnacle of its genre (arguably occupied by Hoosiers), it's not too far down the mountain and the added ...