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The Lion King becomes the first mainstream animated film to be remade as an animated film. Proponents of calling the 2019 version “live action” will argue that the methods used to make this new iteration are completely different from those...

Considering the success of Peter Jackson’s live-action The Lord of the Rings trilogy and, to a lesser extent, his Hobbit movies, it may be difficult to remember that, during the 1970s and 1980s, the medium used to bring Middle Earth to the masse...

A few films from the 1980s have aged like fine wine. More, however, have turned to vinegar. The Lost Boys, despite its nostalgia-soaked reputation, falls into the latter category. A horror comedy that is neither as scary as it should be nor as fun...

Creating a bio-pic of Linda Lovelace (nee Boreman) comes with its own series of challenges. The chief of these is that no one, not even Lovelace (who died in 2002), has a consistent view of the salient facts of her life. So, basing a movie on her s...

As straightforward “based on a true story” movies go, Loving is a strong account of the key factual events that led to the landmark 1967 Supreme Court decision overturning anti-miscegenation laws. Effectively acted and occasionally moving...

Mean Girls, like 2023’s The Color Purple, is a reminder of Hollywood’s ongoing taste for self-cannibalism. Not content merely to take a known property and send it to the stage as a musical, the industry has taken the play, re-made it as a movi...

Meet Joe Black has the dubious distinction of being the longest film to date of 1998. It is also one of the most tedious and bombastic. At a hair under three hours, it's shorter than James Cameron's Titanic, yet, when it comes to pace, Joe Black ...

Mike and Dave Need Wedding Dates exemplifies what passes for “raunchy comedy” these days: plenty of vulgarity and profanity without many accompanying laughs. In trying to push the R-rated envelope, filmmakers have become so focused on bei...

For some reason, there has been a move by a few critics to politicize their reviews of Mile 22, Peter Berg’s tightly-constructed espionage thriller. I guess one side-effect of living in a hyper-partisan era is that some films aren’t allowe...

It's Friday the 13th - Figures. Where's Jason when you need him? In order to see Miss March, which was not screened for critics, I spent 90 minutes trapped in a multiplex auditorium on the day it opened. For about the first half-hour, I tried ...