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Bloodshot suffers from a world-building failure. With too little time and emphasis placed on crafting the setting and exploring some of the rich possibilities of the milieu in which events transpire, the movie turns into little more than a ho-...

An underdog team gets an infusion of outside talent (either a player or a coach) and goes from the bottom to the top, winning the championship in a game whose result is never in doubt. This is the plot of dozens of sports-related motion pictures, ...

While there will always be a debate about the authenticity of Michael Moore's documentary techniques, there's no arguing that Bowling for Columbine succeeds equally well as a provocative essay on gun violence in America and an opportunity for the w...

Bridge to Terabithia is an example of a movie that does not deliver what the marketing campaign promises. Instead, it delivers something richer and more meaningful. Disney, in its infinite wisdom, is trying to make the film look like a watered do...

Bruno allows Sacha Baron Cohen to bring another member of his rogues' gallery of misfits to the big screen. This is a worthy successor to Borat and employs the similar tactic of exploiting the stupidity, ignorance, and prejudice of Americans as a ...

It’s the early 1990s and Lee Israel (Melissa McCarthy) is already well past her sell-by date. An author specializing in biographies (she once landed on the New York Times bestseller list for one she wrote about game show panelist Dorothy Kil...

Perhaps Michael Moore missed his calling. He could have been a preacher. And not any kind of preacher - a fire-and-brimstone, Jonathan Edwards sort. His movies ooze passion and come across like two-hour sermons. He doesn't just believe in what h...

What happens when movie producers cross Three's Company with Masterpiece Theater? The result would be similar to what Touchstone Pictures has provided with Casanova, a farcical romantic comedy period piece. It's worth noting that producing a farc...

There is an almost overpowering desire to write this review in the style of Dr. Seuss, but I will resist it - primarily because the end product is more Mike Myers and overblown production design than it is the clever text of one of the most beloved...

Catch Me if You Can is the closest director Steven Spielberg has come to making a comedy since 1979, when his 1941 bombed at the box office. A jaunty caper movie inspired by real-life events, Catch Me if You Can never takes itself or its subjects ...