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Fugitive Pieces was accorded the honor of opening the 2007 Toronto International Film Festival, and it became the latest in a long line of Opening Night movies to have trouble securing a distributor. After an eight month interval after its World Pr...

For several entries, the series dubbed by Warner Brothers as the “Monsterverse” has been declining into Transformers territory. Godzilla x Kong marks the point at which that dreaded barrel-bottom has been reached. A numbing excursion into CGI ...

It's probably a safe assumption that everyone reading this review is aware of the incestuous relationship that exists between advertising and movies. It's more than a company paying a fee to have a product appear on-screen; there's cross-marketing,...

Over the course of a long and distinguished career, actor Patrick Stewart has worked diligently to create a reputation as a serious professional - a man who approaches his craft with commitment and class. He is best known for two genre-specific roles...

Watching Heartbreaker is like observing a bizarre cinematic experiment: what might occur if the French attempted to make an American-style romantic comedy. Whether it's a success depends on your point-of-view. The only thing to keep director Pasca...

Hoppers is Middling Pixar. By that, I mean that it's a perfectly fine animated film, especially for kids, but not an exceptional one. It lacks the unquantifiable magic that has imbued the best of the studio's offerings, operating instead withi...

While watching Horse Girl, which is either a whacked-out science fiction film or an exploration of mental illness (my money is on the latter), two other titles came to mind: Kristin Wiig’s Welcome to Me and Darren Aaronofsky’s mindfuck, mo...

Hyde Park on Hudson represents the odd marriage of an uninteresting, borderline-creepy "romance" and a peek behind the scenes of a notable but unsung historical event. 2012 has seen dramatizations of eras from the administrations of two of America'...