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Turistas starts out as an effective little horror movie before devolving into an incoherent mess during its final 30 minutes. The problem isn't the body count, it's the inability to figure out what the number is due to the way in which director Jo...

What can I write about Two Weeks Notice that I haven't written about every mediocre romantic comedy to come down Hollywood's pipeline? There's the cotton candy comparison – the movie is sweet (sometimes too sweet) and airy, with so little substa...

To me, the idea of a sequel to The Fugitive always seemed like a bad idea. True, Sam Girard (Tommy Lee Jones) was a more interesting character than Richard Kimball (Harrison Ford), but could he carry a movie on his own? Sadly, we'll never really ...

As a snapshot of the U.S. cultural scene during the late 1960s and early 1970s, The U.S. Versus John Lennon is a success. As an opportunity to hear some of Lennon's solo songs within a political context, the movie works. Unfortunately, as a piece...

It is not an easy thing to walk into a theater and willingly open oneself to being transported back to the blackest day (at least thus far) of the 21st century. There are those who believe this movie should not be released, that it is "too soon." ...

Yes, Unknown is preposterous. That in and of itself is not a reason to avoid the movie. The problems lie in the way the absurdity is presented and the manner in which the screenplay resolves once the "truth" is revealed. Alfred Hitchcock rarely me...

The "usual suspects" are five men: Dean Keaton (Gabriel Byrne), an ex-cop-turned-crook who's known for his steely demeanor and nerves of iron; Michael McManus (Stephen Baldwin), a psycho entry man; Todd Hockney (Kevin Pollak), a hardware specialis...

"No need to remember when, 'Cause everything old is new again." - Peter Allen & Carole Bayer Sager We live in an era of remakes, reboots, and sequels. Hollywood, having apparently run out of new ideas (or, more accurately, being ...

It is possible to gather a star-studded ensemble cast and make a frothy, delightful movie about love in its many guises. Richard Curtis did it with Love, Actually and a parcel of international directors accomplished something similar with the duet...

Valiant is for the birds. Arguably the blandest of the burgeoning crop of big budget digitally animated films, Valiant aims to prove that the death of traditional animation has simply pushed lackluster screenplays into the digital realm. Until re...