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Warning: Potential spoilers, although they reveal only things from the first half of the movie. If you look hard enough, it’s possible to find worthwhile elements in The Book of Henry, an overwrought, tonally inconsistent drama about cancer, ...

I don't know whether Markus Zusak's young adult bestelling novel The Book Thief should be considered "unfilmable" but the adaptation, written by Michael Petroni and directed by Brian Percival, makes a compelling case that it shouldn't have been fil...

Born on the Fourth of July is the middle chapter of Oliver Stone's so-called "Vietnam Trilogy." Begun with Platoon and concluded with Heaven and Earth, these movies are linked only by their connection to the war; they have no common characters. P...

In all likelihood, Robert Ludlum fans will not be pleased by this adaptation of one of the spy master's best-received novels. That's because The Bourne Identity uses the premise, a few character names, and some isolated incidents from the novel, t...

The Bourne Supremacy is a serviceable thriller - no more, no less. This may come as a disappointment to those anticipating something on the same level as the surprise hit 2002 movie, The Bourne Identity. Sadly, the cinematic second installment of...

If nothing else, The Bourne Ultimatum represents the best of 2007's inordinately high number of so-called "threequels." Hopefully, that's not damning with faint praise. The Bourne Ultimatum, the third in the movie trilogy loosely based on Robert...

Possible Spoilers: Although this review does not explicitly reveal the ending of the movie, there are enough insinuations that one can make some assumptions about what might happen. The Holocaust is one of the great tragedies in recent human h...

The crown jewel of 1995's summer blockbusters appears to have arrived early. It's hard to imagine any motion picture released between now and August matching Mel Gibson's Braveheart for spectacle. With its clashing armies, heartstopping action, a...

When it comes to movies, there are two things that the early-to-mid-1980s are best known for: slasher films and teen comedies. While the former category was hard-pressed to give birth to a vaguely watchable entry, quality was widely variable in...

The era of the Universal classic monster movies lasted from 1931, when the studio released Dracula (featuring Bela Lugosi’s iconic portrayal), until 1948 when Abbott and Costello Meet Frankenstein took the venerable horror figures into parod...