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In the terrorist-busting business, perception is more important than reality. That’s the thesis of Christopher Morris’ blistering black comedy, The Day Shall Come, and he delivers the message with the subtlety of a jackhammer. The most dis...

Two years after its release, the impressions that linger about the original Deadpool are its snarkiness and audacity. The story itself is hard to recall, in large part because it was one of the least impressive aspects of a production that was...

Taylor Hackford's The Devil's Advocate has many laudable qualities, but subtlety is not among them. The story, which postulates that the devil is walking among us today, gives Satan's human alter-ego a truly obvious name: John Milton (for those w...

Perhaps the best way to describe the third segment in the popular Die Hard series is by comparing it to the previous two. That should give an adequate assessment of how far the adventures of John McClane (Bruce Willis) have fallen. The original D...

Dirty Deeds boasts a passably entertaining idea that is butchered in the telling. The underlying premise offers the opportunity for some Animal House/American Pie/Revenge of the Nerds-style entertainment, but the unfunny screenplay and inadequate ...

In order to be successful, Dungeons & Dragons: Honor Among Thieves needed to achieve at least three objectives: remain sufficiently faithful to its source material not to alienate the core audience, offer a broad enough story to attract non-gamers...

Whether as a result of coincidence or intent, the COVID pandemic has issued in a new era of motion picture musicals. Not since mid-20th century, when Musicals were perennially the biggest earners, has the genre been this popular. Everybody’s...

I want to give actor-turned-director Liev Schreiber credit for making his behind-the-camera debut a film that means something to him. One can easily see how Everything Is Illuminated could be a deeply personal effort. Unfortunately, the meaning a...

For one reason or another, there have been few quality movies made about 9/11. Maybe it's because the event is too recent and the wound too fresh. Or perhaps it's because filmmakers are keenly aware that a misstep could lead to charges of exploitat...

Fall, from director Scott Mann, makes for a great trailer. The camera soars up the length of a 2000-foot high decommissioned television antenna and, when it arrives at the top, we’re treated to the sight of someone dangling in mid-air. Had the m...