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What were they thinking? Not only does the concept of re-imagining a campy Saturday morning TV show as a Will Ferrell "family-friendly" big-budget movie sound bad, it is bad. A turd of T-Rex proportions, Land of the Lost makes one remember last s...

There's a little Roald Dahl in Lemony Snicket's A Series of Unfortunate Events, and that leads one to wonder what a twisted director like Danny DeVito (Dahl's Matilda) or Tim Burton (Dahl's Charlie and the Chocolate Factory) could have made out of ...

In Lone Star, writer/director John Sayles (City of Hope, Passion Fish) cannily blends drama, romance, mystery, and social observation into a satisfying, if slightly overlong, whole. In the hands of a lesser film maker, this material could easi...

When I see a romantic comedy, I’m not expecting Ozu or Bergman or Truffaut or Scorsese. All I want – and I think it’s a perfectly reasonable desire considering the genre – is to fall in love with the characters as they fall in love wit...

Calling a motion picture Loser is a brave move because it places the film in a precarious position if the critical reaction is less enthusiastic than the producers expect. In this case, however, that's not an issue; this movie succeeds in a modest...

Ang Lee's follow-up to Brokeback Mountain is Lust, Caution. The film's receipt of an NC-17 by the MPAA was dutifully noted by the mainstream media, as was the distributor's (Focus Features) decision not to appeal the rating. NC-17 movies aren’t r...