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Few working directors display the versatility of Richard Linklater. Equally comfortable making high-concept art films, experimental outings designed for mass consumption, and multiplex-friendly fare, Linklater has brought to the screen projects as...

Despite being adapted from a novel by co-screenwriter Darryl Ponicsan, Last Flag Flying feels like a Richard Linklater film. The director’s sympathy and affection for the characters is evident. He doesn’t judge them although they may have ...

Me and Orson Welles is about the theater, or at least the theater as it was in the 1930s. Based on the semi-fictional novel by Robert Kaplow and set in New York City around the time of the opening of the Mercury Theater, the film is rich in period ...

For Nouvelle Vague, director Richard Linklater offers a three-for-one. It’s a hangout movie, a love letter to the French New Wave, and a behind-the-scenes look at one of the era’s most famous films: Jean-Luc Godard’s Breathless. Stylisti...

The Reader is closer to a near miss than a rousing success but, on balance, this is still worth seeing for those who enjoy complexity and moral ambiguity within the context of a melodrama. Based on the novel by Bernhard Schlink, the film asks bi...

If ever there was a movie more destined to become a cult phenomenon, I don't know if I can name it. Combine the name of the novel's author with the subject matter and the stylistic choices made by director Richard Linklater in bringing it to the s...

I don't want to call Richard Linklater a "sellout," since that's probably as unfair as it is unkind. But The School of Rock is clearly Linklater's attempt to develop some box office clout – something he has not achieved with critically acclaimed...