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The Super Mario Galaxy Movie, the sequel to Universal’s massively successful 2023 release, The Super Mario Bros. Movie, received its U.S. theatrical release on April 1, 2026, and I have to say that the joke is on us. If the first movie was a 90-...

The same questions accompany The Thing that accompany any revival of an '80s property, be it Conan the Barbarian, Fright Night, or Footloose (to name only a few of many, many candidates). First and foremost is "Why?" However, while it may seem unne...

It's long past time that a filmmaker has shown the courage to expose the MPAA Ratings Board for what they are: censors working under the guise of servants to the public good. For those who have followed the ins-and-outs of the MPAA over the years,...

Is it pointless to write a review of Transformers: The Last Knight, the fifth installment of Michael Bay’s celebration of all that’s wrong with Blockbuster Cinema? Bay’s response to his critics is to flash his winning smile and point to t...

Despite possessing a cast bursting at the seams with A-list talent, Triple Nine has been dumped into multiplexes on Oscar weekend with limited publicity and less marketing. However, although the film’s distributor may view it as a White Elephan...

With a studio as prolific as Blumhouse, whose mission is to prioritize profit over quality, there are bound to be occasional duds. To date, however, nothing with producer John Blum’s name attached has been quite as creatively bankrupt as Tru...

Tell me if you’ve heard this refrain before: The experience of playing a game is more rewarding than watching a movie adaptation. Sadly, this applies as much to Uncharted as to nearly every previous game-to-movie translation. Even Uncharted, tou...

Venom represents the final result of a long-standing attempt by Sony Pictures to give the popular Spider-Man nemesis his own film. Influenced equally by the comic books and the Deadpool movies, Venom falls considerably short of the high bar s...

Violent Night, Tommy Wirkola’s contribution to the Santa Claus legend, is better than it has a right to be but not as good as it could have been. Using a similar premise to the one botched by 2020’s Fatman (with Mel Gibson as the Man in Red), ...