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Keeping up with the Joneses (not to be confused with the better 2010 film The Joneses) is a paint-by-numbers, creatively bankrupt “comedy” emerging from a studio system that has largely forgotten what it means to be genuinely funny. Lazil...

The underlying incident presented in first-time director Robert May's documentary, Kids for Cash, has been called one of the most shocking recent judicial scandals. By interweaving talking head interviews with archived news footage, May (who served...

The pen may be mightier than the sword but, as related in Michael Cuesta's Kill the Messenger, whispered innuendo is more deadly than both. Imagine, if you will, All the President's Men with Robert Redford's Bob Woodward brought down by attacks on ...

The Killer Inside Me, British director Michael Winterbottom's adaptation of American pulp writer Jim Thompson's novel, is full of nice little touches, but somehow misses the mark when it comes to the big picture. Winterbottom's approach is a littl...

It’s clear that director Judd Apatow is comfortable collaborating with stand-up comedians on projects that contain at least some autobiographical details. The King of Staten Island represents his third such film, following in the wake of Fun...

The Kingdom is a police procedural with a unique - and interesting - twist. While the movie employs all of the investigative techniques we have become familiar with as a result of countless TV shows, there's a little more to this movie than CSI: Sa...

Kiss Kiss Bang Bang is the breezy directorial debut of Lethal Weapon screenwriter Shane Black. Black knows film noir inside and out, because he uses the basic template here. He jazzes things up by employing an aware and self-deprecating narrator ...

The action/comedy genre has grown in popularity over the past couple of decades, but it remains difficult for filmmakers to find a workable balance between the seemingly disparate elements of the recipe. Too much action often results in marginaliz...

If Knock at the Cabin was an episode of the old TV series “The Outer Limits,” it would be regarded as middling and forgettable. Such descriptors seem kind, however, when applied to a 100-minute production that requires an admission fee. A medi...