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Since Edmond Rostand first committed the play to paper in 1897, Cyrano De Bergerac has become a reliable romantic formula. From the various "straight" versions to Steve Martin's Roxanne, and now The Truth About Cats and Dogs, the concept of a smar...

With a studio as prolific as Blumhouse, whose mission is to prioritize profit over quality, there are bound to be occasional duds. To date, however, nothing with producer John Blum’s name attached has been quite as creatively bankrupt as Tru...

Turistas starts out as an effective little horror movie before devolving into an incoherent mess during its final 30 minutes. The problem isn't the body count, it's the inability to figure out what the number is due to the way in which director Jo...

There's something compelling, and occasionally profound, about a well-made coming of age story. Perhaps part of the reason is that the experience, although shaded with subtle differences for each individual, is universal. Regardless of race, clas...

As movie-goers, we expect different things from big-budget summer blockbusters than we do from "normal" films. Considerations of theme and character become secondary to action and mind- numbing excitement. The plot is expected to be very basic...

Note to readers: this review contains spoilers. While I do not believe the revelation of certain plot points will in any way compromise the viewing experience, those who wish to see Two Family House without having previous knowledge of key elements...

A film like Up makes it clear that Pixar has moved beyond the point where it feels the need to pander to children. Unlike its main animation competitor, Dreamworks, Pixar allows sophisticated themes and ideas to seep into its movies. Everything d...

"Give me the child until he is seven and I will give you the man." Michael Apted's The Up Series is not only documentary filmmaking at its finest, but it is an important sociological study. How many movies can make that claim? Starting in 1964,...

Get Out was one of the most talked-about and commonly dissected horror films of the decade and it thrust first-time director Jordan Peele firmly into the spotlight. Now, two years later, Peel has answered the “what’s next?” question with Us,...

It seems that movie makers have lost the art of creating a good, scary vampire flick. The last such film to grace the screen was probably Fright Night, and that was a decade ago. Since then, the "sensitive" vampire has come into vogue -- a creatu...