ReelViews for R movies

I went to Machete expecting an exploitation film and got a socio-political lecture instead. Although an exaggeration, that's the way it sometimes felt. Director Robert Rodriguez understands the exploitation genre and delivers everything one crave...

Machete Kills plays like a joke that's been told a few times too often. A lampoon of bad genre movies from the '60s and '70s with a '10s sensibility, the film is more like a collection of overcooked scenes than an actual narrative-based motion pict...

Machine Gun Preacher uses the "real-life" story of Sam Childers (Gerard Butler) as the framework for a movie that is part drama, part action, and part social conscience. Like Hotel Rwanda, it seeks to provide a human context to one of Africa's most...

A noir horror movie of the most un-classic kind, Brad Anderson's The Machinist takes you into the unstable mind of an insomniac with a dark secret whose life has become a bleak emotional wasteland devoted only to going through the motions of workin...

The Mad Max trilogy is pure adrenaline - a quality that was not lost when the franchise received an injection of American money for its third installment. The essential formula is straightforward, and involves a lot of fights and chases. The film...

The Mad Max trilogy is pure adrenaline - a quality that was not lost when the franchise received an injection of American money for its third installment. The essential formula is straightforward, and involves a lot of fights and chases. The film...

Mad Max: Fury Road delivers. There's no clearer or more succinct way to put it. 30 years after last appearing on the big screen, Max roars back with a vengeance. Part reboot, part sequel, and part something entirely different, Fury Road takes us ...

Made in Dagenham is a fact-based "social conscience film," meaning that it explores an historical struggle against a societal ill. In this case, it's gender inequality - unequal pay for equal work. By chronicling one of the key events that led to t...

Maestro falls prey to the most common flaw of many bio-pics: trying to encapsulate too much material (over long span of time) into a 2-hour running time. The result is that some sequences seem rushed and compressed, character relations...

Maybe at some point, the idea sounded good. Funny, perhaps. Clever even. A fish-out-of-water comedy drenched in enough blood to earn it a solid R-rating. But if there was any potential in the initial inspiration, it was frittered away. J. Michael ...