ReelViews for R movies

What a croc! Unsolicited advice to filmmakers: When making a monster movie, do not attempt to sell said film as a picture about a serial killer. Second piece of unsolicited advice to filmmakers: When making a monster movie, keep the focus on the...

German filmmaker Tom Tykwer first gained a measure of international recognition in 1997, when his second feature, Winter Sleepers received attention outside of his native Germany. Then came the 1998 Toronto Film Festival and the debut of Run Lola ...

To date, the various motion pictures presenting the story of Elvis Presley and Priscilla Beaulieu’s love story have done so with a slant toward Elvis’ point-of-view. With Priscilla, writer/director Sofia Coppola has sought to flip the narrativ...

Whodunits are rarely a good playground for Hollywood films. The average mystery, whether a stripped-down Agatha Christie-esque tale or a more complex endeavor, is too demanding for the structural constraints of a motion picture. As a result, when o...

In Private Life, writer/director Tamara Jenkins speaks as if from experience, capturing not only the precise technical details of her subject but accurately representing the roller coaster that is IVF. For those who haven’t gone through the ...

Will the real Howard Stern please stand up? For, in truth, the man who haunts the airwaves of nearly three-dozen radio stations each morning seems vastly different from the kinder, milder version who graces the screen in Betty Thomas' sweet, often...

The career aspirations of Mathilda (Natalie Portman) aren't those of the average 12-year old girl. Instead of wanting to be a doctor, fashion model, teacher, lawyer, or nuclear physicist, Mathilda has decided to follow in the footsteps of her best...

A combination of fanciful conjecture and historical fact, Professor Marston & the Wonder Women represents not only a historical primer on sexual repression during the first half of the 20th Century but unlocks the code to “understanding” wh...

There’s something distinctly off-putting about Johnny Depp’s dying-from-cancer movie, The Professor (original title: Richard Says Goodbye). It has to do with the idea that someone, once given a death sentence resulting from metastatic lun...

Profile belongs to a burgeoning genre of low-budget films that have collectively been dubbed “screenlife” movies. The natural successor to “found footage” productions, these narratives are presented entirely on a faux computer screen, ...