ReelViews for R movies

Smile 2 takes the ideas and aesthetic of the original Smile and doubles down on them. Unlike many horror sequels, which come across as watered-down retreads of their predecessors, Smile 2 uses the first installment as a jumping-off point for a sto...

Smokin' Aces is Tarantino lite - a vague and unsuccessful attempt to bring together a bunch of offbeat, unrelated characters in a situation where a bloody resolution is inescapable. Like an absentminded chef, however, writer/director Joe Carnahan ...

Samuel L. Jackson is on record as saying this movie isn't for critics. He's right about that. The problem is, it's not for many other people, either. Unless they're stoned. Or drunk. Or just enjoy making fun of bad movies (in other words, the M...

Why would a successful director like Stephen Frears (Dangerous Liasons, The Grifters, Hero) go from the relative security of Hollywood to the near-obscurity of Ireland to make a little film like The Snapper? Frears himself supplied the answer by...

As his career develops, it may turn out that British maverick filmmaker Guy Ritchie has only the taste and talent to make one kind of film - but, if every salvo he fires is as snappy, funny, and energized as his initial two movies (Lock, Stock and ...

In a curious way, Snatched is a little like an Amy Schumer stand-up routine: sometimes edgy, occasionally hilarious, and lessened by the bits that fall flat. Unlike Trainwreck, which featured strong writing and an opportunity for Schumer to di...

Snow Angels tries to build an ensemble drama around a central tragedy. However, while individual aspects of the film work well on their own terms, the production as a whole lacks focus. Director David Gordon Green (All the Real Girls) gives us gli...

Few would debate that the story of Edward Snowden’s life is as compelling as it is controversial. Based on Oliver Stone’s biopic, Snowden, it would also seem to be inherently non-cinematic. By opting to go with a straightforward account o...

Apparently, someone turned up the heat because The Snowman is a sloppy mess.One of the most shockingly awful wastes of talent imaginable, this adaptation of Jo Nesbo’s thriller is mostly incoherent and, just when it starts to make sense, it i...

Although Society of the Snow is not technically a remake of the 1992 film Alive, it’s not hard to see how this could be assumed. Although the films are based on different books (Alive’s source is Alive: The Story of the Andes Survivors by Pier...