ReelViews for R movies

It’s impossible to catch lightning in a bottle twice, yet that’s what director Danny Boyle is trying to do with his belated sequel to Trainspotting. More an extended epilogue to the cult 1996 movie than a stand-alone story, T2 (the title is...

Errol Morris may be unique among high profile, veteran documentary filmmakers in that his primary interest is in the people he interviews. His movies are real-life character studies not pseudo narratives, political rants, or "serious" examinations ...

Does the fact that Tag is loosely based on a real story make it more enjoyable? Not really, although it illustrates the absurdity of some human endeavors. It’s a red herring designed to distract from an underlying truth about this movie: it ...

Michelle Williams must have an affinity for appearing in movies about melancholy relationships. Although Take This Waltz is by no means as big a downer as Blue Valentine, neither does it adhere to Hollywood formulas about how romantic dramas should...

The Hollywood remake train continues unabated, racing through signals as it dives underground into New York City's subways. At least it can be said that this, the third version of The Taking of Pelham 123 (following the 1974 feature and a 1998 mad...

Woodstock - the shining moment in the age of peace and free love, the incredible high that came before the bad trip of the '70s - is often remembered most for the music. This is due in no small part to Michael Wadleigh's definitive documentary. F...

Almodovar is back, following up his 1999 award-winning sensation All About My Mother with another success, the aptly-titled Talk to Her. Over the years, Almodovar (one of the few filmmakers who is recognized by only his surname) has been known for ...

It’s in vogue to call some horror films “throwbacks,” but, at least in the case of Danny and Michael Philippou’s directorial debut, Talk to Me, it’s an accurate assessment. In recent years, the horror trend has been for “safer” movie...

Tammy is a road trip movie and, like many road trip movies, it embraces a meandering, aimless tone. It's often said for films of this sort that it's the journey that matters, not the destination. Unfortunately, in this case, neither is worth the pr...

At a time when most movies spoon-feed background and narrative developments to viewers via exposition dumps and flashbacks, Todd Field (making his third overall feature and his first in 16 years) opts for a more  ambiguous approach. By trusting t...