ReelViews for R movies

Criminal is an action-thriller with a science fiction twist. To the extent that its purpose is to energize and involve an audience, it succeeds. The premise, however, which involves transplanting the memories of a dead man into the mind of a living o...

Crimson Peak works as an homage to 19th century gothic literature. Beyond that mission statement, however, it has trouble gaining traction. Although the film may hold a certain appeal for those who have spent long hours thumbing through the pages of ...

Crimson Tide is a white-knuckler with a cop-out ending. It's a thrill-a-minute ride that concludes with a whimper, like a roller-coaster that has all the drops and twists early. Make no mistake, this is a good source of early summer fun, but with...

Seemingly taking inspiration from Traffic, writer/director Nicholas Jarecki attempts to use a thematic connection (rather than a narrative one) to tie together three separate stories. (Although two of the segments intersect at the climax.) The...

The Critic transpires during a time when critics (in this case, theater critics) wielded enormous power. A review in a daily newspaper could ruin a reputation, close a play, or elevate something from obscurity to prosperity. The film occurs in 193...

Crossing Over is Wayne Kramer's Crash-inspired look at the world of immigration in Southern California. Like Paul Haggis' Oscar winning film, this one is replete with coincidences and contrivances but, unlike Crash, it also features too many insta...

Director Rupert Sanders (Snow White and the Huntsman) has made it clear that, aside from sharing the same basic source material (James O’Barr’s comic book series), his version of The Crow is not intended to be a remake of the Alex Proyas 1994 ...

The Crow is a gothic nightmare. With a view of Detroit that is every bit as bleak and dazzling as the urban panoramas presented in Batman and Blade Runner, this film makes it clear from the outset that wherever its flaws may lie, they will not be ...

Three things made Dangerous Liaisons, the 1988 Stephen Frears/Christopher Hampton collaboration, one of the best films of the decade: tremendous dialogue, an intriguing and Machiavellian plot, and top-notch performances (excepting Keanu Reeves). ...

Upon viewing the completed version of this film, cartoonist Robert Crumb, whose story it tells, informed director Terry Zwigoff, "After I saw it I had to go for a walk in the woods, just to clear my head. I took my favorite hat off, this hat that ...