ReelViews for R movies

Get Hard is a Will Ferrell movie that comes with all the strengths and weaknesses implied by the designation. Although the marketing campaign plays up the Ferrell/Kevin Hart "buddy" angle, the film skews more toward Ferrell's hit-and-mi...

In the midst of the testosterone and special effects that dominated the 2009 summer box office, along came a raunchy comedy called The Hangover that not only became one of the year's biggest hits but re-affirmed that there is a place for rude, crud...

Get Out is a horror film but it’s not like any horror film that has reached theaters in a long time. To begin with, it’s rated R, and the R-rated horror film has become something of an endangered species in this era of PG-13’ing everything. The...

The better you know movies, the more appreciation you'll have for the wit and energy of Barry Sonnenfeld's Get Shorty. While it's quite possible for the cinematically unaware to enjoy this film -- it's got a fair amount of readily-accessible comed...

Ghost Dog: The Way of the Samurai illustrates that, in some bizarre way, artsy films can be subject to the same major flaws that often afflict Hollywood blockbusters. It's typical for a big budget motion picture to ignore logic and consistency in ...

Ghost House is a generally well-made but ultimately unsurprising excursion into the supernatural. Although more interested in psychological terror than a high body count, the film touches enough of the expected tropes that horror fans will be ...

1981’s Ghost Story, based on the bestselling novel by Peter Straub, is not a bad movie, especially for a horror film released into an era that was increasingly dominated by slasher movies. However, there’s a sense that the production not only ...

Ghost World could easily be considered an "anti-Hollywood coming of age story". Although it follows the contours of the genre, the path is different enough to make the movie seem fresh, non-formulaic, and occasionally surprising. Of course, for s...

There’s something enormously refreshing about the openness and honesty found in Keith Behrman’s coming-of-age film, Giant Little Ones. It recognizes that for many people, discovering a sexual identity isn’t as simple as recognizing an att...

The Gift is an example of how superior craftsmanship can transform a ho-hum genre entry into a sporadically gripping thriller. On the surface, there's nothing special about this movie - it's a run-of-the-mill supernatural murder mystery with all o...