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How's a studio to proceed when it wants to do something with a classic, family-friendly property but believes a straightforward remake to be redundant? The solution, as recently explored by several would-be franchises, is to expand the canvas. Ma...

Parallel Mothers, Pedro Almodovar’s 15th movie since exploding onto the international scene with Women on the Verge of a Nervous Breakdown, is two movies crammed into one and both suffer at least a little by having to share time with the other. ...

Pay It Forward couldn't have more obvious aspirations if the filmmakers announced them. Featuring a top-notch cast; an adept script that meshes tragedy, light comedy, romance, and melodrama; and the kind of overall optimism that is a perfect tonic...

Gene Siskel infamously gave Pee-Wee’s Big Adventure a zero-star review, stating “Obviously, Pee-Wee is tolerable only in Pee-Wee doses…” Although that seems unnecessarily harsh, especially in retrospect (now that the film is commonly viewe...

I have never been a fan of Andrew Lloyd Webber's phenomenally popular stage musical version of The Phantom of the Opera, so it will probably come as no surprise that the film adaptation, which is faithful to its inspiration, left me feeling underwh...

Spoiler Warning! Because I reveal things about the ending of Pitch Perfect 2 in this review, I am duty-bound to warn readers in case they wish to stop now. (Of course, if you don't care, feel free to continue…) I am as far from the targ...

Give the makers of Point Break credit - in reworking Kathryn Bigelow’s 1991 thriller, they didn’t go for a point-by-point revision. Director Ericson Core and screenwriter Kurt Wimmer opted to try something different. Unfortunately, differ...

Pokemon: Detective Pikachu isn’t a movie. It’s a cog in a multibillion-dollar media empire, a soulless feature-length example of product placement at its most blatant. The so-called “film” never bothers to tell a story worth telling or...

The Polar Express is cinematic magic - a delightful tale guaranteed to enthrall viewers of all ages. Does that sound like advertising hype, or the words of a publicist? Perhaps, but it's a reflection of how strongly this film pulled me under its ...

Irwin Allen would be proud. Poseidon is a throwback - a 1970s-style disaster film made with 2006-era special effects. The movie delivers in most of the ways that matter for a motion picture of this ilk, with Poseidon never trying to be something ...