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They Shall Not Grow Old, the first nonfiction venture by The Lord of the Rings’ director, Peter Jackson, represents a startling trip through a time capsule into a world that, in both a real and existential sense, no longer exists. A collage ...

You know what they say about "too much of a good thing?" That applies to They Will Kill You, the English-language debut of Russian filmmaker Kirill Sokolov, whose hyperkinetic approach to killing Satanic cultists is initially funny, bracing, and t...

Sometimes, I wonder how the human races survives it. By "it," I am referring to that seemingly insurmountable time of life when body chemistry and societal pressures conspire to make every day seem like a titanic struggle - the teenage years. Eve...

This Boy's Life is based on the autobiographical book by Syracuse University professor Tobias Wolff. It tells of his early life in Salt Lake City, Seattle, and Concrete, Washington. Tobias (Leonardo DiCaprio) and his mother, Caroline (Ellen Barki...

This Is Where I Leave You is a card-carrying member of the "family reunion" category of motion pictures wherein circumstances bring together characters whose once-close relationships have grown distant over the years. The mechanism by which this ha...

It appears that Marvel has given up trying to broaden the tent. Although Thor: Ragnarok, the third film to focus on the exploits of the titular Norse God, boasts a lighter tone, when the flippancy is stripped away, it’s the same-ole-same-ole...

Those Who Wish Me Dead is the kind of straightforward thriller that was popular during the 1990s – the sort of thing that, had it come out 25 years ago, might have featured someone like Mel Gibson in the lead role. It’s a story of survival...

Courage Under Fire was the first American movie about the Gulf War. Since then, there haven't been many others. David O. Russell's Three Kings becomes one of only a few mainstream efforts to venture into this underpopulated cinematic territory. ...

Saying that Tin Cup may be the best-ever "golf motion picture" isn't exactly high praise, considering the competition (Caddyshack, Happy Gilmore), but it's true nonetheless. In fact, as sports movies go (regardless of the sport), this one turns in...

Despite boasting an impressive roster of talent both in front of and behind the camera, To Have and Have Not remains a "lesser" film on Humphrey Bogart's resume, often euphemistically referred to as a "minor" or "overlooked" classic. Labeling...