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Perhaps the only way to approach Abduction that will not result in a 105-minute boredom-induced coma is to think of it as a comedy, preferably with a drinking game attached. There are laughs to be had, although none of them are intentional. Girls (...

Talk about an unenviable task... Universal Pictures has chosen About a Boy to be a sacrificial lamb, electing to open it on May 17, opposite Attack of the Clones. Maybe they're hoping that movie-goers disappointed by sell-outs at the latest Star ...

I'll never understand why studios sometimes choose to withhold films from critics. The lack of advance screenings of Aeon Flux establishes an expectation that the film is likely to be tough to sit through. It's the studio's way of throwing in th...

The sad truth about After Earth is that not only is it difficult to find things it does well, but there are numerous examples of outright incompetence dotting the landscape. Outside of some nice visuals, it's impossible to find a reason to recommen...

Over a career that has spanned more than a half-century, Robert Redford has played his share of interesting and well-remembered roles, from The Sundance Kid (Butch Cassidy and the Sundance Kid) to Bob Woodward (All the President's Men) to Roy Hobbs...

Most movies about artists (painters, composers, authors, etc.) tend to be dull and uninspired, rendering the subject of the film far less interesting than his or her work. Amadeus is an exception. In fact, it is arguably the best motion picture e...

If you’re more interested in visual razzamatazz than little things like character development or interaction, Ambulance may be your movie. If you prefer sweeping, hyperkinetic camera movements and spastic editing to a coherent narrative, Amb...

What is a studio to do when all sequel possibilities have been exhausted for a brand name that retains name recognition? Why, do a remake, of course! Thus, we have first-time feature director Andrew Douglas' take on the events in late 1975 at 112...

Analyze That delivers its share of amusing moments, but, when it comes to inventive or inspired comedy, it is lacking. The movie is funnier than a lot of what's available in multiplexes, but that's more a condemnation of the sad state of big scree...

The greatest asset evidenced by Harold Ramis' gangster comedy, Analyze This, is that it doesn't try too hard for laughs. Instead of force-feeding audiences stale, predictable jokes about mobsters and mayhem, Ramis is content to let the humor evolv...