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Good comedy stands the test of time. Two of the funniest movies I recall seeing arrived in theaters during the early 1980s. One, Airplane, a spoof of the Airport series (and disaster movies in general), has withered on the vine of changing times....

They have outdone themselves. The husband-and-wife duo of writer/director Ben Falcone and actress Melissa McCarthy, responsible for four previous exercises in brain cell-killing cinematic torture (Tammy, The Boss, Superintelligence, and the cr...

Ever wondered what Dorothy's trip along the Yellow Brick Road might have been like if, instead of traveling with the Scarecrow, the Tin Man, and the Cowardly Lion, she had been accompanied by H.G. Welles, Roald Dahl, and Monty Python? Or how C.S. ...

For decades, the spy thriller has been dominated by one name: Bond. 007's trappings, which include pyrotechnics, high-octane chases, death-defying stunts, gorgeous women, and the like, have come to define the genre. While it's unquestionable that I...

It's not Casablanca, or even Die Hard, for that matter. But then no one expected it to be. What Tomb Raider can claim is that it's the best computer game-turned-motion picture to date. A backhanded compliment? To be sure, but at least the exper...

While watching Chris Farley, still at the top of his game, perform in Tommy Boy, it’s easy to ignore how fundamentally bad the overall movie is. A card-carrying member of the bloated, frat-boy comedies that plagued theaters during the early 1990...

In some ways, The Town can be considered a throwback, at least insomuch as any movie reflecting the approach of '80s and '90s cop dramas can be tagged with such a label. With a crisp, clear style and a focus on character, director Ben Affleck is a...

Trade is a straightforward and uninspired look at the sex trade, where girls are kidnapped and forced into prostitution. To its credit, the film avoids titillation but, at the same time, it is so full of moral outrage that there's no sense of dram...

In all fairness, I think I might have enjoyed this film if I was nine years old. As a much older man, however, “enjoyment” is far from what I experienced while enduring the two-hour slog of Transformers: Rise of the Beasts. “Boredom” and �...

The line between epic spectacle and overblown bore is often as unclear as it is easily crossed. So it's no surprise that Wolfgang Petersen's Troy navigates that demarcation like a drunk driver on a twisty two-lane highway. There are times when T...