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No Hard Feelings is an odd movie in that films of this sort have fallen out of vogue in the 21st century and are rarely accorded any sort of theatrical release. (The box office results will determine whether the decision to reject a direct-to-stre...

Since this is a thriller, there must be a twist. One goes into a movie like The Number 23 with this expectation. However, not only is the twist telegraphed early but it is presented in a clumsy and unconvincing manner. Other films have employed ...

Old School is exactly what director Todd Phillips intends for it to be: low-brow, moronic to a fault, and occasionally side-splittingly funny. I laughed aloud seven or eight times during this film, and smiled or chuckled on a few additional occas...

In the 1980s, Porky's spawned an era of teen sex comedies that took most of the decade to die out. Last year, American Pie re-invented the genre, albeit with more wit, moxie, and forthrightness than anything in the '80s ever showed. Todd Phillips...

School for Scoundrels feels like a wasted opportunity. This is a case of a motion picture failing to unlock the promise of a ripe potential. As black comedies go, this one is too tepid to hit any mark by which a movie is deemed successful. The d...

The foundation of any good family drama is interesting characters, and The Squid and the Whale is replete with them. Movies about divorce and dysfunctional families are so commonplace that it's difficult to avoid slipping into clichés yet, as a re...

The mining of old television shows continues, and, while one wouldn't expect much from a movie version of the vintage late-1970s TV cop series, Starsky and Hutch, this is one time when the filmmakers have uncovered some surprisingly rich ore. The ...