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Paranormal Activity 3 is one of those obligatory sequels: films that use an existing template and attempt to populate it with different actors and new ways of scaring audiences. There are two significant problems with this approach here: the "first...

They could have called this Paranormal Inactivity. It's a rare horror franchise indeed that manages to remain fresh and creepy by the time it arrives at installment #4. Paranormal Activity, despite a terrific beginning, quickly grew stale and r...

It never fails to amaze me that something as essentially light and pointless as Disney's remake of The Parent Trap can clock in at over two hours in length. This is one of those movies that has difficulty sustaining any kind of comic or dramatic m...

Passengers is an art-house science fiction movie that somehow got made by a major studio with A-list stars. The film owes more to castaway stories than traditional spacefaring tales and, at least during the first half, it’s ripe with existentia...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...

Paul is arguably the best science fiction comedy since Galaxy Quest. Despite being humorous in its outlook and providing numerous "Easter eggs" to fans of Star Wars, Aliens, Close Encounters, and E.T. (amongst others), this isn't a parody. Outside ...

After stumbling through a lackluster first 30 minutes that features all the tepid humor one might reasonably expect from a mediocre comedy, Paul Blart: Mall Cop does something unexpected: it becomes watchable, perhaps even passably enjoyable. That...

Payback is the most viscerally involving thriller to be released in the last several months. Granted, the plot is far from air-tight (in fact, towards the end, it begins to resemble Swiss cheese), but the adrenaline level is heightened to the poin...

To think of uber-producer Jerry Bruckheimer and action director Michael Bay is to be reminded of popcorn-and-eye candy trifles like The Rock and Armageddon - movies where flashy special effects and lobotomized scripts are arguably assets. The pair...

Larry Flynt, the self-proclaimed king of smut, as an American hero? Unlikely as it may seem, that's the scenario set up and successfully pursued by Milos Forman's (One Flew Over the Cuckoos Nest, Amadeus) latest venture, The People vs. Larry Flynt...