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Had Seventh Son been released in the 1980s, it would have been deemed an adequate - perhaps even good - fantasy adventure. However, in the three decades since Conan the Barbarian and Dragonslayer defined the genre's best big screen attempts, ther...

As Shaun of the Dead illustrated, it is possible to make a horror comedy that is both funny and scary. Severance, while not nearly as successful as Edgar Wright and Simon Pegg's zombie movie, manages to mix in a few good gags with the requisite go...

Two fundamental problems afflict Sex Tape (aside from the fact that it's not consistently funny): a shocking ignorance about the state of modern technology and a mistaken belief that the subject matter is inherently edgy. The screenplay is disappoi...

Shadow Conspiracy marks Charlie Sheen's second consecutive conspiracy thriller. Of course, there are several notable differences between this and The Arrival, the most obvious of which has to do with basic quality. For, while last summer's alien ...

Shadow of a Doubt is a Hitchcock film that doesn’t necessarily feel like a Hitchcock film. That doesn’t mean it’s not a bona fide classic but many of the tropes that would come to be identified with the Master of Suspense are conspicuously a...

"What was [Joy] to me? She was my daughter and my mother, my pupil and my teacher, my subject and my sovereign; and always, holding all these in solution, my trusty comrade, friend, shipmate, fellow-soldier. My mistress; but at the same time all ...

A couple of cliches come to mind while watching Danny Boyle's deliciously diabolical feature debut, Shallow Grave. The first -- that money is the root of all evil -- is obvious. The other -- that it's always the quiet ones who bear the closes...

The Shallows is almost a good movie. It misses by this much (hold thumb and index finger apart by an inch). For 75 of its 85 minutes, it’s a gripping woman-against-nature tale with tough, determined Nancy (Blake Lively) facing her own infirmiti...

Shaun of the Dead is a spoof, but at the same time, it's a semi-serious horror movie. It's also an homage to George Romero's Dead series (Night of the Living Dead, Dawn of the Dead, Day of the Dead) and a societal commentary. Admittedly, with so ...

With a legion of titles like Pet Sematary, Firewalker, Sleepwalkers, Maximum Overdrive, and Children of the Corn, it's reasonable not to expect much from Stephen King-inspired motion pictures. Adaptations of the prolific author's work typically va...