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The three screenwriters (Matthew Michael Carnahan, Tony Gilroy, Billy Ray) credited with adapting Paul Abbott's mini-series into a motion picture have done something remarkable: reduce five hours of material into less than two hours and still produ...

The passage of time has labeled 1983’s Staying Alive as a turkey, but the contemporaneous view (at least to Paramount’s bean counters) was somewhat different. Although critics lambasted the movie upon its release, with Roger Ebert giving an es...

If Rob Cohen's name wasn't attached to this project, I would swear it was the work of Michael Bay. It has all of the crowd-pleasing director's trademarks: plastic characters, chaotic camerawork, lots of things blowing up, and an incredibly dumb sc...

When did Will Ferrell stop being funny? It wasn't that long ago that this Saturday Night Live alum looked to be following in the footsteps of the likes of Jim Carrey and Adam Sandler but, somewhere along the way, Ferrell's train derailed. Now, on...

With Step Up 2 the Streets, the supposed-but-not-really sequel to 2006's sleeper Step Up, you get what you pay for. That is to say, there are lots of energetic dance moves, throbbing music that uses every channel of the theater's digital sound sys...

Stepmom is the kind of bad movie that can be blamed on just about everyone involved except, perhaps, the actors. There's nothing wrong with any of the performances, although they're wasted in the service of inferior material. The script is a mish...

When considering Steve Jobs, the first thing to recognize is that this isn’t a bio-pic. Oh, the movie uses Jobs’ life as the basis of its story and cherry-picks facts and reminiscences to form the skeleton. But screenwriter Aaron Sorkin a...

This review contains oblique spoilers. Since it’s a con movie, even unspecific revelations could potentially spoil aspects of the viewing experience. Keep that in mind if you choose to read on…Butch and Sundance ride again! Re-united with G...

The problem with Stone, at least insofar as there is a problem, is that director John Curran (The Painted Veil) can't decide what he wants the movie to be. As with a previous script in which he had a hand, The Killer Inside Me, there are strong noi...

Upon its release in 1984, Jonathan Demme's Stop Making Sense was hailed by many critics as the "greatest concert film of all time." The picture, which captured a live concert performance given by the Talking Heads, used state-of-the-art direct-to-...