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When one thinks of a Martin Scorsese film, the first images that come to mind are dark, violent, serious ones. His most celebrated movies are Taxi Driver, Raging Bull, Goodfellas, and The Departed - all intense, uncompromising samples of cinema at ...

All of the great Universal horror movies from the 1930s and 1940s have now been remade: Dracula, Frankenstein, The Mummy, and The Wolf Man. Over the years, there have been numerous cinematic encounters with lycanthropy, but The Wolf Man is to were...

Once upon a time in motion pictures, the historical epic was a popular genre – big, sprawling stories featuring larger-than-life characters splashed across a wide screen. The best of these often deviated wildly from the facts that formed their f...

The title doesn’t lie. Women Talking is all about women talking. In this case, their conversation revolves around the nighttime horrors they have experienced living in a cloistered, patriarchal Mennonite community where the use of tranquilizers ...

The Women is appropriately named. For its nearly 110 minute running time, there's nary a man to be found, not even in the background of crowd scenes. This movie takes place in the same world as Sex and the City, where there are only three things ...

Back in mid-'90s, director Curtis Hanson was known as a B-list filmmaker - someone who could cull a fair amount of tension out of workmanlike stories such as The Hand That Rocks the Cradle and The River Wild. All of that changed in 1997, however, ...

The underlying concepts addressed by Wonder Park are more sophisticated than the treatment they receive in this animated film (which has been developed as a pilot for a new Nickelodeon TV series). However, with plot elements that echo The Wizar...

Wonderful World feels like a modern-day half-baked riff on Charles Dickens' A Christmas Carol. Despite a film festival pedigree (it was shown at a number of local festivals on the 2009 circuit), the movie is so lightweight and inconsequential that ...

Turning back the calendar to the morning of September 11, 2001 is a risky proposition for any director, and not to be undertaken lightly. Paul Greengrass succeeded brilliantly with his United 93 and now Oliver Stone, never one to back away from a ...

World War Z contains some impressive set pieces - sequences that, taken on their own, are either tense or visually arresting. As a whole, however, it's a letdown with a strange mixture of epic apocalyptic material and generic zombie stuff. The epis...