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In the case of American Pie, more is less. As in less funny, less sexy, and much, much less enjoyable. This sequel, like so many that have preceded it this year, exists exclusively because its forerunner made a lot of money - and the lack of insp...

It's hard to believe that The American President was made by the same man responsible for the no-holds-barred satire of This Is Spinal Tap. Is there any element of American culture more ripe for the humorist's razor-sharp wit than presidential pol...

American Pie remains a touchstone of '90s comedies in particular and raunchy teen sex comedies in general. Viewed today, it has retained an element of its initial breezy freshness, although a progression of envelope-pushing comedies have made it ea...

The summer of bad sequels finally has an entry that can boast being noticeably better than its immediate predecessor: American Wedding. The third entry into the American Pie series, this movie is a vast improvement over the tired and uninspired Am...

Although the 1980s were not kind to most traditional monsters - vampires, mummies, gargoyles, and the like - the first two years of the decade offered three prominent werewolf movies. The first to reach the screen was Joe Dante's The Howling, whic...

An American Werewolf in Paris is a failed attempt to recapture the humor and horror of John Landis' 1981 feature, An American Werewolf in London. Where the original had comedy, the sequel has the kind of revolting silliness that can be found in TV...

Anchorman 2: The Legend Continues could easily be called Anchorman 2: More of the Same. However, when it comes to comedy sequels, is there a reason to expect anything different? More importantly, is there a reason to want anything different? People...

Andrei Rublev is arguably the most accessible of Soviet director Andrei Tarkovsky’s films. It is also his longest. Unlike his better-known movies, Solaris and Stalker, Andrei Rublev is historical (not science fiction). Nevertheless, it share...

Watching Angel provides a window into the dregs of a long-dead genre: the low-budget exploitation thriller. Although this sort of film didn’t make it past the mid-1990s, it thrived during the 1980s when it was often used to fill out drive-in dou...

The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterw...