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Guillermo del Toro has taken us down some dark paths before, but this is the deepest and darkest he has gone, adapting the 1946 novel of the same name by William Lindsay Gresham (which was previously made into a movie in 1947). Set during the Grea...

When I was a child, one of the reasons I enjoyed the Christmas season so much was the annual arrival of those endlessly-repeated television specials: Rudolph, the Red-Nosed Reindeer, Santa Claus is Coming to Town, The Year Without a Santa Claus. ...

Edson Oda’s debut feature, Nine Days, is a pure allegory; the film works as an extended philosophical rumination but fails as a story. Although interesting in many aspects, Nine Days is as often frustrating as it is compelling, and the denou...

What's the point? If I wanted to spend 12 minutes watching someone pushing a cart around a grocery store, I'd go to the local A&P, not sit in a movie theater. At least then I could get the week's shopping done. Nine Lives is a failed experiment...

It's always a tricky proposition to make a motion picture based on recent history -- and the more public the episode, the more difficult it is for the film maker to balance drama with accuracy. This is especially true when that film maker is Olive...

No Hard Feelings is an odd movie in that films of this sort have fallen out of vogue in the 21st century and are rarely accorded any sort of theatrical release. (The box office results will determine whether the decision to reject a direct-to-stre...

Romantic comedies are a little like junk food: they're not healthy or sophisticated but, when made right, there's something addictive about their tasty familiarity. Going in, you know what you're going to get. There are no surprises, nasty or other...

It has been a number of years since I have read the story of Noah in "Genesis" but I'm reasonably certain there are some discrepancies between the canonical account and the one related by director Darren Aronofsky in his new movie, Noah. For exampl...

Nobody plays like a less frenetic, grittier version of John Wick with 58-year-old Bob Odenkirk standing in for 56-year-old Keanu Reeves (who was 49 when the first film of the now-franchise was made) as the middle-aged guy nobody should screw w...

Nobody 2 falls into the category of one of those sequels that not a lot of people really wanted but that nevertheless exists. The problem lies in the premise: it’s the sort of concept that works only once (the original Nobody was a lot of fun) a...