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Is it possible to have more fun in a movie theater than with 8 Women, one of the most uplifting and delightful films to have come along this year? The product of French director François Ozon, 8 Women offers as much delicious enjoyment to the vie...

About Last Night, a remake of the 1986 Edward Zwick film which was in turn an adaptation of David Mamet's play, Sexual Perversity in Chicago, manages the difficult task of being faithful to the original while taking things in a new direction. The t...

A marriage between the creative talents of David Mamet and Edward Zwick might seem to be an unlikely union but, in the case of 1986 feature About Last Night..., it is surprisingly effective. Zwick, best known for the emotional resonance he brings ...

After the Wedding is a throwback of sorts – a return to the days when a common reason for creating a remake was to take a foreign language film and translate it into English. For this project, writer/director Bart Freundlich has turned to Su...

Perhaps the most appropriate word to describe Disney’s 2019 re-make of their 1992 classic, Aladdin, is “unnecessary.” “Pointless” might also apply. Although those terms could be employed for a host of remakes, they are more apt here ...

Most movies about artists (painters, composers, authors, etc.) tend to be dull and uninspired, rendering the subject of the film far less interesting than his or her work. Amadeus is an exception. In fact, it is arguably the best motion picture e...

It opens with images of a late-night poker game: cards, chips, sweaty palms, concerned faces, and a woman's fingernails. Then, as night turns to day, the camera moves into the streets of New York, and, with the first bit of dialogue, we know we'v...

What is a studio to do when all sequel possibilities have been exhausted for a brand name that retains name recognition? Why, do a remake, of course! Thus, we have first-time feature director Andrew Douglas' take on the events in late 1975 at 112...

Most remakes are unnecessary but Annie is a bigger offender than many. Reeking of redundancy, the film not only proves incapable of overcoming the inevitable sense of déjà vu but, despite a host of cosmetic changes, it fails to answer the questio...

August: Osage County is all about the acting. That makes sense because the storyline doesn't offer much that could be considered new or remarkable. It's as big a downer as the pills popped by matriarch Violet Weston (Meryl Streep) but the quality ...