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I don't have a lot to say about Transporter 2. It's a sequel that outdoes the original in terms of flair and outrageousness, but it will appeal to much the same audience. If James Bond is too tame for you, Frank Martin (Jason Stratham) is your ma...

The Transporter movies remind me of the Bond films of the '70s and '80s, in which each new installment tried to one-up its predecessor in terms of inventive and outrageous action set pieces. Without a doubt, Transporter 3 offers more innovative wa...

The Transporter is cinematic extravaganza for everyone who disdains wimpy movie elements like "plot" and "character development". This balls-to-the-walls action/adventure makes the average James Bond film look like something by Eric Rohmer. It’s...

True Grit, one of the best films of 2010, is a reminder of why remakes are not always bad. The Coen Brothers' interpretation of the 1968 Charles Portis novel is superior in almost every way (except one) to the 1969 Henry Hathaway edition. And, whil...

Remaking movies is always a risky endeavor, and remaking a classic can border on the foolhardy. Taken on its own terms, however, Jonathan Demme's The Truth About Charlie, a '00s re-interpretation of the 1963 thriller Charade, is a decent – and e...

The only reason any male could have for seeing The Vow is the hope of getting laid afterwards. The only reason any female could have for seeing The Vow is if she views the plots of Harlequin romance novels as the height of modern storytelling. Thi...

What might have been… Those four words tell the sad story of too many films, and Welcome to Mooseport is one of them. It starts out with a terrific premise, ripe with the potential for the kind of political satire we haven't seen on the big scr...