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As a history lesson, Amazing Grace is okay. It stays reasonably true to the established record with minimal embellishment. However, as motion picture, the film is lacking in several key areas. The presentation is choppy, with lengthy sections dev...

Hey nonny nonny?One of the small pleasures in a romantic comedy replete with them (but generally lacking in what one might consider a “large pleasure”) is the recognition that Anyone But You is, in fact, a twisted and repackaged version of Sha...

The standard-order musician’s bio-pic exists primarily as a way for filmmakers to capitalize on the popularity of a singer and an opportunity to provide viewers with a “greatest hits” compilation. Rarely do these films achieve any sort of ci...

Perhaps Almodovar and film noir simply don't mix. This is the second time in three films the acclaimed Spanish director has attempted to apply his unique style to a twisty mystery and, as was the case with Bad Education, it's not a marriage made i...

It has been a long time since I came as close to walking out of a movie as I did with Confessions of a Shopaholic. Not only did I find this production to be irritating, unfunny, and lacking in entertainment value, but I found its underlying slavis...

Whether by coincidence or design, the three week period from August 20 through September 10 has been dominated over the last five years by Jason Statham. In 2004, there was Cellular. In 2005, there was Transporter 2. The 2006 entry was Crank, fo...

Fans of Death Race 2000 (they comprise a small but loyal group) argue that the movie’s strength lies not in its action but its political commentary. Although it would be fair to say that the film has allegorical elements related to a dystopi...

With Ferrari, Michael Mann falls afoul of one of the pitfalls of the bio-pic: by focusing too tightly on one brief period in the main character’s life, he creates an “is that all there is?” feeling. Although the real Enzo Ferrari was a large...

Fingernails, the English-language debut of Greek director Christos Nikou, boasts some intriguing ideas but the execution is (at best) uneven. With an uncertain screenplay and poor world-building, the film relies almost exclusively on the performan...

If Martian Child is the price film goers must pay in order to get Grace Is Gone, then it's a worthwhile trade. This low-key drama, the directorial debut of James C. Strouse, is the kind of opportunity that real actors relish. With a minimalist plo...