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Perhaps the biggest surprise with Coriolanus is the non-involvement of Kenneth Branagh who, for the better part of the last 20 years, has been engaged in seemingly every screen adaptation of a Shakespeare play (an exaggeration, but still...). At th...

While watching Disney's Dinosaur, with all of its incredibly rendered creatures and seamless blending of animated objects with real backgrounds, a question occurred to me: In movies like this, can the writing keep pace with the technology? Films ...

Despite some great acting, Film Stars Don’t Die in Liverpool is a largely unpleasant viewing experience and the downbeat tone isn’t helped by a narrative that flits back and forth in time without rhyme or reason, sometimes confusing the vie...

Hamlet 2 (a great title) does not represent the first time in recent years that something unconventional has been done to one of the Bard's classics. (Although, to be sure, no one has been as audacious as to develop a musical sequel to a play.) S...

Author Charles Dickens was enough of a celebrity to excite the interest of the gossip press of his day. Recognizing this, Dickens was careful to keep the nature of his relationship with young actress Ellen Ternan as far from the spotlight as possib...

Lucky Number Slevin is a fascinating case study of what might result if Quentin Tarantino directed a script written for Alfred Hitchcock. From a screenwriting perspective, this is pure suspense, with twists that would appeal to The Master, includi...

Man on Wire is a fascinating time capsule: a combination of talking-head interviews, actual footage, and re-creations that evokes a kinder, gentler world and provides insight into one of the most audacious stunts of the 20th century. Pieced togeth...

The long-gestating, often-delayed sequel to 2012’s Wreck-It Ralph, Ralph Breaks the Internet is one part fan service, one part product placement, and one part pop culture inundation. It’s breezy and fun and, like its predecessor, relies mor...