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The Equalizer 3 is being advertised as the conclusion of a trilogy, although it’s really just a “more of the same” sequel, which can be a good thing for those who enjoyed the first two installments. Director Antoine Fuqua and star Denzel Was...

When The Equalizer arrived on television in the 1980s, it was notable for two things: being the first Reagan-era show to lionize vigilantism and presenting an "advocate" who broke the Curtis Sliwa-inspired stereotypes. Edward Woodward's Robert McCa...

When we first meet Ethan Frome (Liam Neeson), he is a broken man hobbling around town. The new preacher takes an interest in him and soon learns the tragic tale of Frome's life. Years ago, as a younger and more hale man, Ethan married Zeena (Joan...

For those hoping that writer/director Richard Linklater would use the success of his two previous films, Before Midnight and Boyhood, as springboards to a deeper, more meaningful exploration of the “human experience,” Everybody Wants Some!! is go...

The Expendables 2 does not defy expectations; it defines them. If you think you know what the movie will deliver, you're probably right. No surprises, no twists. Even more than the original The Expendables, this feels like an homage to the '80s, al...

The idea underlying Fast Food Nation is intriguing: take the premise of the best-selling non-fiction book by Eric Schlosser and convert it into the backstory of a fictional film. Where director Richard Linklater runs into trouble is in the executi...

Calling The Fault in Our Stars a "teenage cancer romance" might be understating the film's laudable qualities but it's also a reasonably accurate three-word summary of the plot. Adapted from John Green's best-selling YA novel of the same name, The ...

Having to rely on a middle-man sucks, even for Death. The problem is, while He gets His due, someone else – usually a guy in a hockey mask or wearing Lee press-on steel nails – steals all the credit. And at least one intended victim always ge...

At times, Finding Your Feet tries too hard to be crowd-pleasing. The romantic comedy from director Richard Longcraine offers all the highs and lows demanded by the genre. The “twist”, to the extent it can be named as such, is that the char...