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Edgar Wright’s Baby Driver seeks to inject a dose of high octane into a heist film while illustrating how it’s possible to make a car chase exciting in an era when few action staples have become more boring and predictable. The film also s...

Although it's certainly a matter for argument, many cineastes consider David Lean to be one of the ten best directors of lavish epics. Although several of Lean's most accomplished movies were made while he was based in the U.K., they nevertheless ...

When it comes to romantic movies, I have adopted a philosophy. All that's really required to craft an affecting love story is that the protagonists are well-developed, the actors playing them evidence a degree of sexual chemistry, and their relati...

When it comes to fantasy and soft science fiction, the concept of “world building” is at least as important as narrative and character development. “World building” refers to the ability of an author or filmmaker to craft a new and ama...

Before he became the leader of the Cuban Revolution, Che Guevara was an introverted medical student living a sheltered life in Buenos Aires. His life changed in 1952, when, despite almost being done with his degree, he decided to take a break from ...

With Mystic River, Clint Eastwood has rebounded nicely from the failure of his mediocre previous effort, Blood Work. Absent from the screen but behind the camera for the first time since Midnight in the Garden of Good and Evil, Eastwood concentrat...

As thrillers go, The River Wild is a cut below a "white-knuckler," but it still has its share of spills and chills. Crafted by Curtis Hanson with considerably more style and substance than his previous effort, The Hand that Rocks the Cradle, The R...

In March 1977, the Academy of Motion Pictures Arts and Sciences committed another in their seemingly-endless series of injustices, awarding the Best Picture Oscar to John Avildsen's Rocky, thereby snubbing one of the great modern American classics...

You know what they say about "too much of a good thing?" That applies to They Will Kill You, the English-language debut of Russian filmmaker Kirill Sokolov, whose hyperkinetic approach to killing Satanic cultists is initially funny, bracing, and t...

Trade is a straightforward and uninspired look at the sex trade, where girls are kidnapped and forced into prostitution. To its credit, the film avoids titillation but, at the same time, it is so full of moral outrage that there's no sense of dram...