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Movies have always used the "from the makers of..." line. You know, "a new film from the makers of Lawrence of Arabia" or "a new film from the makers of Glory". Kingpin employs this time-honored tradition, except, in this case, it proudly cla...

Although this may amount to oversimplification, Alejandro Agresti's The Lake House is essentially a romance between two people connected by a time-traveling mailbox. As premises go, this has the virtue of uniqueness - Hollywood doesn't churn out t...

Almodovar. To those familiar with his body of work, that name is more than just a way to identify one of today's premiere directors -- it offers valuable insight into the scope and intent of a movie. Since his debut in 1980 with Pepi, Luci, Bom, ...

In 1954 Queens, New York, three brothers -- Mac (John Turturro), Vico (Michael Badalucco), and Bruno (Carl Capotorto) -- after having a few bad experiences working for others, decide to band together and create their own construction business. The...

Of all the films that emerged from the 1998 Sundance Film Festival, none caused me to ponder, wonder, and puzzle more than Alejandro Amenabar's sophomore feature, Open Your Eyes. Film of this intelligence, audacity, and complexity come along s...

Parallel Mothers, Pedro Almodovar’s 15th movie since exploding onto the international scene with Women on the Verge of a Nervous Breakdown, is two movies crammed into one and both suffer at least a little by having to share time with the other. ...

At the age of 26, Ramon Sampedro misjudged the depth of water he was diving into and broke his neck. For the next 29 years, he lived the life of a quadriplegic - one that he considered not worth living. Despite having lost the use of his body bel...

The Skin I Live In is an old-time horror movie told in anything but an old-time horror movie fashion by the iconoclast Spanish filmmaker Pedro Almodovar. There’s a mad scientist, a faithful servant, a beautiful woman trapped in a prison, and...