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Andrew Niccol is fascinated by the impact of futuristic technologies on society. His gripping feature debut, 1997's Gattaca, explored a civilization in which genetic tinkering rendered natural reproduction obsolete. With In Time, he is again looki...

With a premise as potentially rewarding as that of Inkheart, one can be forgiven for being a little disappointed by the final result. When placed alongside other PG-rated fantasy adventure tales, this one struggles to capture the imagination. Par...

For whatever reason, the Coen Brothers' comedies (such as Raising Arizona, The Hudsucker Proxy, and The Big Lebowski) have always garnered less critical attention than the filmmakers' more serious fare (such as Blood Simple, Barton Fink, and Fargo)...

"Every war is different. Every war is the same." So says the voiceover narration in the closing moments of Sam Mendes' Jarhead. I might add: Every war movie is different. Every war movie is the same. This is Mendes' Gulf War answer to Apocalyp...

After watching a movie like Just Friends, I hurry home from the theater and take a shower so I can wash away the stink of the experience. There are bad movies and annoying movies, and this one contains elements of both. Spending 90 minutes with t...

In many ways, The Karate Kid is the perfect remake: faithful to the source material in large part yet offering enough nuanced differences to allow it to stand on its own. The problem with the film is that that story, hackneyed when it first made i...

"I have always liked European cinema and, originally, I was going to make this for $200,000 on 16mm black and white. So I decided to write a movie with a lot of French language and use subtitles, and them make it a violent action picture... For th...

Kings and Queen, the 2004 film by French director Arnaud Desplechin, is wending its way slowly across North America, making its way into select art houses. The movie is quintessentially French, focusing on drama instead of melodrama and character ...