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Whether as a result of coincidence or intent, the COVID pandemic has issued in a new era of motion picture musicals. Not since mid-20th century, when Musicals were perennially the biggest earners, has the genre been this popular. Everybody’s...

It's difficult to explain the full range of emotional impact caused by Exotica. The latest offering from Canadian film maker Atom Egoyan (Family Viewing, The Adjuster) is as beguiling as it is baffling. Not until the final scene does everything f...

In the late 2000s and early 2010s, the cinematic YA flame burned hot and bright but, like many such fires, it quickly exhausted its fuel and was snuffed out by fatigued and uninterested audiences. Although YA novels continue to generate health...

I feel bad for Hoyt Yeatman. I really do, although perhaps not as bad as I feel for myself for having sat through his feature debut. But here's a guy who has paid his dues. He got started way back in 1977 helping out in the special effects depar...

The dark seeps out of the screen like living thing, evidence that The Girl with the Dragon Tattoo is more than a paycheck to director David Fincher, who has improbably affixed his own imprint on a movie that comes weighted down with possibilities a...

Since Jeff Bridges optioned the rights to Lois Lowry's The Giver shortly after its 1993 publication, the tale has been on a slow track to production. Bridges, however, didn't give up and, although his original choice for the title character passed ...

Is Glengarry Glen Ross really about salesmen, or is it about a bankrupt culture that produces and nurtures them? Certainly, it stands alongside Wall Street as one of the most unflinching views of a mindset that informed a generation of salesmen and...

For several entries, the series dubbed by Warner Brothers as the “Monsterverse” has been declining into Transformers territory. Godzilla x Kong marks the point at which that dreaded barrel-bottom has been reached. A numbing excursion into CGI ...