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It has been eight years since director Francis Lawrence released Mockingjay Part 2, the second half of the bifurcated film that wrapped up Suzanne Collins’ Hunger Games trilogy. Although the fourth movie in that series was the weakest entry, Law...

I Am Legend, the third cinematic adaptation of Richard Matheson's novel, has been in development for a very long time. Originally slated to star Arnold Schwarzenegger and be directed by Ridley Scott, this movie has kicked around for so long that b...

Rarely is New York merely a setting in a movie. Whether big, bright, and garish or dark and dingy, the city more often serves as a background character. And, although the New York of a Woody Allen film couldn’t be more different than the one...

Into the Woods left me out in the cold. The long-gestating cinematic adaptation of Stephen Sondheim's fairy tale-infused Broadway musical, Into the Woods can claim a clever screenplay and a few enjoyable performances but little else. The generic ...

The Killing of a Sacred Deer, director Yorgos Lanthimos’ follow-up to his weirdly compelling The Lobster, draws on Greek mythology for its title and its central conceit, a sort-of modern-day Sophie’s Choice. The film exists deep in a meta...

To date, The Favourite ranks as the nearest Yorgos Lanthimos has come to making something easily accessible to mainstream movie-goers. Poor Things comes in a close second, despite its Frankenstein­-inspired weirdness. But, with Kinds of Kindness,...

Claude Lelouch's Les Miserables is one of the year's motion picture triumphs: an epic drama that takes the themes of Victor Hugo's novel and transplants them to the twentieth century. Rather than merely re-telling a story that has previously been...

Love's Labour's Lost has always been regarded as one of the most enigmatic of Shakespeare's plays. In modern times, it is almost never performed, and, unlike the text of the Bard's major works, it fails to come alive on the printed page. In an in...