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Had The Adventures of Tintin been a live motion picture rather than a motion capture-driven animated endeavor, it would have been compared to Raiders of the Lost Ark and Pirates of the Caribbean. As it is, however, with the cartoonish characters se...

On the one hand, it’s possible to express deep admiration for the world-building and storytelling of Alita: Battle Angel and to offer praise and credit to director Robert Rodriguez and co-writer/co-producer James Cameron for providing a rive...

Atomic Blonde combines the storytelling intrigue of a LeCarre/Deighton Cold War spy novel with the in-your-face kinetic style of John Wick. The result, while at times a little too visually chaotic, is bracing. Headlined by a committed Charliz...

The Crow is a gothic nightmare. With a view of Detroit that is every bit as bleak and dazzling as the urban panoramas presented in Batman and Blade Runner, this film makes it clear from the outset that wherever its flaws may lie, they will not be ...

Director Rupert Sanders (Snow White and the Huntsman) has made it clear that, aside from sharing the same basic source material (James O’Barr’s comic book series), his version of The Crow is not intended to be a remake of the Alex Proyas 1994 ...

Dark Shadows is a mess, and it's unclear whether its bizarre recipe of comedy, campy horror, and gothic melodrama will satisfy anyone, regardless of their familiarity with the source material. By attempting to be too faithful to Dan Curtis' cult TV...

Since it is not possible to endure The Dukes of Hazzard without finding some other task to occupy one's mind (straight viewing could result in brain damage), I passed the time by re-constructing what might have been the pitch meeting in which Warne...

Considering the talent involved and the strength of the source material, there's no way Edge of Darkness should have been this disappointing. Part of the problem is a direct result of condensation - there's no way to cram six hours of the dense mi...

When The Equalizer arrived on television in the 1980s, it was notable for two things: being the first Reagan-era show to lionize vigilantism and presenting an "advocate" who broke the Curtis Sliwa-inspired stereotypes. Edward Woodward's Robert McCa...

The Fall Guy represents what a true “summer movie” should be: a light, fast-paced spectacle with likeable characters and a balance between action/eye candy and narrative elements. No one is going to call Drew Pearce’s screenplay a masterpiec...