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Richard III - it's Shakespeare that has nothing to do with Kenneth Branagh. Actually, at first glance, this film doesn't appear to have anything to do with the Bard's play, either. Opening in a 1930's England war room with a tank crashing through...

A staple of high school literature classes, Romeo & Juliet has proven no less popular with filmmakers, who return to this classic on a regular basis. The problem with making a new version of Shakespeare's most read romance is that, like Hamlet, the...

In Looking for Richard, actor/director Al Pacino expresses his great hope for his film -- to extend his enthusiasm for the Bard's plays to a broader audience. In a very different way, that's what Baz Luhrmann (Strictly Ballroom) is attempting to d...

In high school, teachers spend a great deal of time guiding students through the rigors of Shakespeare's tragedies and histories, but what about the comedies? Much Ado About Nothing, The Merchant of Venice, The Taming of the Shrew, Macbeth... Yes, ...

In 1998, there have been two films about space debris on a collision course with Earth, two animated insect movies, and now two tales about life during the reign of Queen Elizabeth. Granted, there's a yawning chasm in tone between the dark, treach...

"Be not afraid of greatness: some are born great, some achieve greatness and some have greatness thrust upon them". - Twelfth Night, Act II, Scene V That single quotation, and a few of the names and plot points are all that remain of Shakespeare...

Unlike many of Shakepeare's plays, "Titus Andronicus" has not always been met with universal acclaim. The first of the Bard's tragedies, "Titus Andronicus" is also his bloodiest - filled with gruesome deaths, dismemberments, and other unspeakable ...

Unlike many of Shakepeare's plays, "Titus Andronicus" has not always been met with universal acclaim. The first of the Bard's tragedies, "Titus Andronicus" is also his bloodiest - filled with gruesome deaths, dismemberments, and other unspeakable ...

A wonderful thing about Shakespeare’s canon is that those plays can form the vehicles by which any director’s unique vision can emerge. Laurence Olivier, Orson Welles, and Kenneth Branagh all recognized this. With The Tragedy of Macbeth, Joel ...