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The screen adaptation of Delia Owens’ Where the Crawdads Sing, written by Lucy Alibar and directed by Olivia Newman, comes with a built-in audience – the novel has (to date) sold 12 million copies and, if only a fraction of those readers pays ...

Winner of four 1994 Cesar awards (best picture, best director, best screenplay, and best female newcomer), Wild Reeds beat out such big-name, high-budget productions as Queen Margot. Originally commissioned by French television, but first released...

Winter Passing is a classic example of a pedestrian motion picture being lifted out of mediocrity by an arresting lead performance. Zooey Deschanel doesn't just elevate Winter Passing; she carries it. There are other things to be said in favor of...

After scoring big with his live-action adaptation of Aladdin for Disney, Guy Ritchie returns to more familiar territory with Wrath of Man, an English-language remake of the 2004 French revenge thriller, Le Convoyeur. Accompanying him on this b...

For Marvel Enterprises, the arrival of X-Men on the big screen represents the culmination of efforts that stretch back more than 20 years. For that long, Marvel has been trying to get one of their properties - Spiderman, The Fantastic Four, X-Men,...

If there’s an obstacle to the potential box office success of X-Men: Apocalypse, it’s the growing sense of superhero movie fatigue. Counting Deadpool, this is the fourth superhero movie to reach screens in the last three-plus months. With...

X-Men: Days of Future Past doesn't feel like a superhero movie, at least not in a traditional sense. There are action scenes but many are suffused with a sense of futility. Battles turn into massacres with the "good guys" on the wrong side of the c...

The problem with X2 is essentially the same one that plagued X-Men: too many characters, resulting in too little screen time for each one. X2 may be the most ambitious superhero motion picture to date, but it doesn't work quite as well as Spider-...