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It's not often that a slasher/thriller is released by a recognized distributor of art-house fare (in this case, Sony Pictures Classics), but that's the case with Mute Witness. Of course, it's somewhat unfair to pigeon-hole this movie by using the ...

There is a scene in Nil by Mouth, actor Gary Oldman's directorial debut, that is excruciatingly difficult to watch. It's not especially graphic, since the gruesome details take place out of frame, but anyone with an imagination can conjure up ...

Edson Oda’s debut feature, Nine Days, is a pure allegory; the film works as an extended philosophical rumination but fails as a story. Although interesting in many aspects, Nine Days is as often frustrating as it is compelling, and the denou...

Perhaps the most remarkable thing about Novitiate is the even-handedness with which it treats religion in general and 1960s era Catholicism in particular. Set mostly within the confines of a convent, the feature debut of writer/director Margare...

Oh, Hi! can best be described as an interesting failure. The underlying idea seems promising: start out the movie as a standard-order rom-com then shift into Misery territory. Make the whole thing a dark, twisted comedy that offers commentary on t...

The turning point in Christina Ricci's career came when she chose to appear in Ang Lee's The Ice Storm. Since then, nothing has been the same for the up-and-coming performer. Before the 1997 feature, Ricci had turned up in host of bland, family-o...

The Outrun, based on the memoir of the same name by Amy Liptrot, takes a motion picture staple – one of addiction and recovery – and re-invents it into something fresh and engaging. Presenting the narrative in a fragmentary, non-linear fashion...

Owning Mahowny casts an unflinching gaze into a window of addiction of a sort not often portrayed in movies. Based on the true-life book "Stung" by Gary Stephen Ross, the film chronicles the facts of the case of a Toronto bank vice president who s...

Parallel Mothers, Pedro Almodovar’s 15th movie since exploding onto the international scene with Women on the Verge of a Nervous Breakdown, is two movies crammed into one and both suffer at least a little by having to share time with the other. ...

When discussing "giants" of the non-English-speaking, international film world, four names leap immediately to mind: Ingmar Bergman, Federico Fellini, Akira Kurosawa, and Satyajit Ray. Of these men, Ray has received the least North American e...