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The Beat that My Heart Skipped is director Jacques Audiard's re-imagination of James Toback's Fingers. Although Audiard and his co-writer, Tonino Benacquista, have retained the premise and some of the ideas of the original, this is, for the most par...

Blinded by the Light is a one-third Bruce Springsteen hagiography, one-third kitschy ‘80s recreation, and one-third feel-good father/son coming together. Surprisingly, however, it works. The movie combines an infectious spirit with a serious...

If I was looking for a single word to describe Enola Holmes, I’d probably settle on “charming.” That’s not because it features the best example of period-piece romance (although it shows signs of appealing to the rom-com crowd) or that...

A loving ode to the Fantastic Four comic books of the 1960s and 1970s, Fantastic Four: First Steps is unlike any other MCU movie in two regards. First, its faithfulness to its source material can be found as much in its tone and style as in i...

Hope Springs has the unusual distinction of providing a sample of what an Ingmar Bergman movie might be like if made for mass American consumption. The production leavens the painful psychological introspection that defined the Swedish director's b...

Kings and Queen, the 2004 film by French director Arnaud Desplechin, is wending its way slowly across North America, making its way into select art houses. The movie is quintessentially French, focusing on drama instead of melodrama and character ...

Tone is the most noteworthy aspect of Shari Springer Berman and Robert Pulcini's The Nanny Diaries. In adapting the best-selling 2002 novel by Emma McLaughlin and Nicola Kraus, the husband-and-wife team behind American Splendor have tried to keep ...

Anne Fontaine's Nathalie... has taken 2 1/2 years to attain U.S. distribution, and even that will be just a limited peek in select art house venues before a quick turnaround onto DVD. (A medium in which it has been available in France since 2004.)...