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The idea underlying Fast Food Nation is intriguing: take the premise of the best-selling non-fiction book by Eric Schlosser and convert it into the backstory of a fictional film. Where director Richard Linklater runs into trouble is in the executi...

Because Fast Times at Ridgemont High arrived in movie theaters during the height of the '80s "teenspoitation" era, it has often been unfairly lumped together with Porky's and its successors and copycats. In reality, Fast Times is smarter and more per...

Despite boasting a healthy 141-minute running time, Fast X is not a complete movie. It has a beginning and a middle but no end. Assured that audiences will return like lemmings for future installments of the Fast/Furious series, the filmmakers see...

With a title like Faster, it has to be a balls-to-the-walls action flick, right? Although that's how George Tillman Jr.'s feature is being marketed, that's not what it is. Faster is a revenge thriller that's more interested in delving into the da...

What has been true for the past few Fast and Furious outings is even more true for this one: the films have devolved from street racing-centered action/crime thrillers into live action cartoons. Plot and character development are irrelevant. Ac...

Fathers' Day simply has to be seen to be believed. It's beyond my comprehension how a motion picture with so much talent associated with it -- actors Robin Williams and Billy Crystal, super-producer Joel Silver, and director Ivan Reitman -- can be...

Calling The Fault in Our Stars a "teenage cancer romance" might be understating the film's laudable qualities but it's also a reasonably accurate three-word summary of the plot. Adapted from John Green's best-selling YA novel of the same name, The ...

With a sly wit and a dark edge, director Yorgos Lanthimos plunges into the murky waters of early 1700s British politics, where few positions were more enviable and less stable than being the queen’s favorite (or, in Brit-speak, “favourite�...

It's too bad the title The Good, the Bad, and the Ugly was already taken, because it would have been the perfect moniker for Fear and Loathing in Las Vegas, Terry Gilliam's adaptation of Hunter S. Thompson's book (emphasis on "the bad and the ugly"...

Zero-star movies are a rare and terrifying breed - films that warrant recommendation only as an alternative to physical distress. Sitting in a theater as one of these examples of cinematic diarrhea unspools creates a curious tug-of-war within the ...