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The Forest is a low-budget horror film that arrives in January with the usual low expectations associated with early year releases. Considering the movie’s undistinguished profile and limited marketing, it seems unlikely The Forest will gain mu...

I suppose the best way to characterize The Forever Purge is as “red meat for Purge fans.” When you get this deep into a franchise, the tendency is to take the safe path and regurgitate earlier narrative beats, albeit with different “char...

With The 40-Year-Old Virgin, Judd Apatow succeeded in an endeavor that foiled many of the more accomplished directors to precede him: the merging of the romantic comedy, a quintessential "female genre," with the raunchy comedy, a quintessential "ma...

Since its theatrical release in the summer of 1994, Forrest Gump has become one of those movies seemingly everyone is familiar with. It's a cultural touchstone with lines like "Life is a box of chocolates" appearing everywhere from tee-shirts to gr...

As one might deduce from its cheeky title, The Forty-Year-Old Version, Radha Blank’s feature debut, isn’t afraid to challenge sacred cows along the way to making its point and, more importantly, telling a story. The film works on two level...

The Founder, which chronicles the takeover and elevation of McDonald’s by Ray Kroc (Michael Keaton), works both as a character study and an examination of how ambition, even when harnessed for the “greater good”, can result in innoc...

Here’s yet another original streaming “event” movie that rewards viewers for inattentiveness and distraction. The less attention one pays to this soulless retread of an action/adventure wannabe, the better it looks. With its A-list cast and ...

The Fountain is Darren Aronofsky trying to be Stanley Kubrick. However, while Aronofsky is able to match Kubrick frame-by-frame for ending ambiguity, that's one of the few areas in which The Fountain keeps pace with 2001. Technically, this is an im...

This is what happens when a successful indie documentary filmmaker gets sucked in by the Hollywood system. As one can guess from the number of writers involved in this project, Four Christmases is wildly uneven, veering from screwball comedy to wo...

Four Rooms, a four-segment anthology directed by independent film darlings Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino, has to be one of 1995's major disappointments. Perhaps it's the format itself -- twenty minutes...