Search for State

"Presenting the play uncut has allowed the characters to reveal even more, and we discover extra details about them which are usually lost on stage. The political situation becomes clearer, and Hamlet is revealed as a knowledgeable man of the thea...

For those who can't wait until June (and the arrival of Kenneth Branagh's Love's Labour's Lost) for their semi-regular cinematic Shakespeare fix, there's Michael Almereyda's Hamlet. Imagine the line "To be or not to be" delivered in the aisles of a...

Hamlet 2 (a great title) does not represent the first time in recent years that something unconventional has been done to one of the Bard's classics. (Although, to be sure, no one has been as audacious as to develop a musical sequel to a play.) S...

While many of William Shakespeare’s plays have been preserved for posterity, not much is known about the man beyond a handful of biographical scraps. That vacuum has long invited authors and screenwriters to fill in the blanks. The most famous e...

Hancock is a hodgepodge of intriguing ideas that, if developed further or presented as more than throw-ins to a confused production, might have made for a unique superhero film. The resulting movie, however, shows all the signs of studio interfere...

There are two kinds of boxing movies: those that are content to follow a traditional narrative chronicling the rise (and sometimes fall) of an athlete and those that try to look a little deeper. It’s the difference between Cinderella Man and Ra...

When Yogi Berra said "It's déjà vu all over again," maybe he said it best. Then again, perhaps it was John McClane: "How can the same shit happen to the same guy twice?" While neither was specifically referring to The Hangover Part II, Todd Phi...

The Hangover Part III is an obvious example of how wrong things can go when the almighty dollar is allowed to rule what comes out of Hollywood. When the first Hangover stunned analysts by becoming not just successful but a massive hit, director Tod...

The Hangover begins and ends conventionally but, in between, it's not afraid to go off the rails. Unlike most so-called "comedies," this one can claim the virtue of being reasonably funny. It never tries too hard, the actors have a good sense of ...

Dark, visceral, and brimming with suspense, Hanna is not the follow-up to Pride & Prejudice and Atonement one might expect from director Joe Wright. Nevertheless, here it is: an intriguing, original thriller that owes as much of a debt to the like...