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He's Just Not That Into You seeks to mine the same vein of romantic comedy ore as Love, Actually - the multi-arc story in which characters cross each others' paths and interact in an attempt to show different facets of one emotion. Unfortunately, ...

Heart Eyes almost does it. It arrives with enormous ambitions and comes damn close to nailing it. Yet, even though it doesn’t fully deliver what the filmmakers attempt, it nevertheless provides a fun 90-odd minutes whose beats are like that of a...

In recent years, true sports stories, both documentaries and feature films, have become increasingly popular. The nature of the competition, which has varied from football to spelling bees, is irrelevant. Viewers appreciate movies that tell inspi...

Combine the Farrelly Brothers (Bobby and Peter) with Ben Stiller, a Cameron Diaz lookalike, and a copious dose of bodily fluids in a raunchy romantic comedy, and what do you get? Not There's Something About Mary II, that's for sure, although that ...

Pacino meets De Niro. It has the sound of a classic screen moment. These actors - two of the best in the business for more than twenty-five years - have previously appeared in the same picture only once (The Godfather II), but, due to the split-t...

Here’s a link to my original review of Heat, published in December 1995.At the time of its 1995 release, Heat was heralded primarily as offering the first on-screen pairing of legends Al Pacino and Robert De Niro. Although the two had shared t...

With Heaven and Earth, Oliver Stone has completed his so-called "Vietnam Trilogy" - three films that examine different aspects of the war that, to this point, has provided the centerpiece of Stone's filmmaking career. The story begins in the vi...

It doesn't seem all that long ago when musicals were one of Hollywood's most popular genres. Each year, studios would commit millions of dollars into lavish productions featuring some of the era's song-and-dance icons: Fred Astaire, Frank Sinatra...

Since the death of Alfred Hitchcock, many filmmakers have vied to succeed the Master of Suspense. With apologies to rip-off artist Brian De Palma, my vote goes to David Mamet, whose films House of Games and The Spanish Prisoner can stand alongside ...

There are no tumbleweeds in Hell or High Water, but there might as well be. The Texas terrain, as bleak and barren as any landscape this side of Tombstone, is a constant presence, as forceful a character as any played by a human actor. It speaks of p...