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The Mad Max trilogy is pure adrenaline - a quality that was not lost when the franchise received an injection of American money for its third installment. The essential formula is straightforward, and involves a lot of fights and chases. The film...

Mad Max: Fury Road delivers. There's no clearer or more succinct way to put it. 30 years after last appearing on the big screen, Max roars back with a vengeance. Part reboot, part sequel, and part something entirely different, Fury Road takes us ...

Mad Money is a comedy caper where the caper's not interesting and the comedy's not funny. Take away those elements and all that's left is a tepid female buddy movie and, like its male counterparts, we've had enough of those to choke a critic. It'...

Eventually, it had to happen: a computer-animated dud. It's surprising it has taken this long, and we have been spoiled by the high quality of the product, with such winning titles as Toy Story, Shrek, Finding Nemo, The Incredibles, and others. B...

Madagascar 3 raises an interesting question about what movie-goers want from animated films: intelligent, thoughtful productions that use artwork, rather than live-action, to tell a story, or colorful crap that can be used to distract children for ...

One reason to lament the existence of Madagascar: Escape 2 Africa (which will hereafter be referred to merely as Madagascar 2) is too bemoan the considerable amount of talent that was tied up developing this uninspired sequel when it could have bee...

If there’s a rule to be aware of when it comes to Sony’s so-called “Spider-Verse” movies, it’s this: If Spider-Man isn’t in it, it’s likely to disappoint. That applies to Venom, Venom: Let There Be Carnage, Morbius, and now Madame Web...

Romantic comedies sell fantasy. Ultimately, that's their reason for being - to make even the most cynical heart crave true love. Some romantic comedies, this one included, fail because of an inability to convince the audience that the protagonists...

Maestro falls prey to the most common flaw of many bio-pics: trying to encapsulate too much material (over long span of time) into a 2-hour running time. The result is that some sequences seem rushed and compressed, character relations...

Perhaps the most intriguing question associated with this movie is what to call it. Originally, the film bore the moniker of Jane Austen's Mafia, but, when test audiences were confused by the title (an inexcusable 90% of Americans claim not to kno...