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The familiar looks different at night. Incandescent lights don't quite chase away the shadows with the effectiveness of the sun. The rooms and hallways of a home, so comforting at noon, can become cloaked with unease past the witching hour. This...

Regardless of how it performs at the box office, this much is clear: Paranormal Activity 2 is a mistake. The clumsy and obvious byproduct of the financial success of its predecessor last Halloween, this movie has no reason for existing except to p...

Paranormal Activity 3 is one of those obligatory sequels: films that use an existing template and attempt to populate it with different actors and new ways of scaring audiences. There are two significant problems with this approach here: the "first...

They could have called this Paranormal Inactivity. It's a rare horror franchise indeed that manages to remain fresh and creepy by the time it arrives at installment #4. Paranormal Activity, despite a terrific beginning, quickly grew stale and r...

It never fails to amaze me that something as essentially light and pointless as Disney's remake of The Parent Trap can clock in at over two hours in length. This is one of those movies that has difficulty sustaining any kind of comic or dramatic m...

Pariah is obviously heartfelt, and is clearly a subject close to writer/director Dee Rees' heart; this is a remake/expansion upon a 2007 short film she made (with most of the same cast). The movie boasts an honest, unfettered performance by Adepero...

Parker delivers just about what the average viewer would expect from it: a Jason Statham-flavored action thriller (as opposed to, say, a Matt Damon-flavored action thriller or a Rock-flavored action thriller). Statham, like John Wayne in his heyday...

Passengers is an art-house science fiction movie that somehow got made by a major studio with A-list stars. The film owes more to castaway stories than traditional spacefaring tales and, at least during the first half, it’s ripe with existentia...

The realities that human beings create around themselves are, by their nature, fragile things – some more fragile than others. In her directorial debut, actress Rebecca Hall addresses the malleability of identity via her adaptation of Nella ...

There are so many ancillary issues surrounding the release of Mel Gibson's The Passion of the Christ (née The Passion) that they threaten to dwarf the 127-minute movie that lies at the maelstrom's epicenter. (The controversy, whether real, concoc...