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It never fails to amaze me that something as essentially light and pointless as Disney's remake of The Parent Trap can clock in at over two hours in length. This is one of those movies that has difficulty sustaining any kind of comic or dramatic m...

Pariah is obviously heartfelt, and is clearly a subject close to writer/director Dee Rees' heart; this is a remake/expansion upon a 2007 short film she made (with most of the same cast). The movie boasts an honest, unfettered performance by Adepero...

Parker delivers just about what the average viewer would expect from it: a Jason Statham-flavored action thriller (as opposed to, say, a Matt Damon-flavored action thriller or a Rock-flavored action thriller). Statham, like John Wayne in his heyday...

Passengers is an art-house science fiction movie that somehow got made by a major studio with A-list stars. The film owes more to castaway stories than traditional spacefaring tales and, at least during the first half, it’s ripe with existentia...

The realities that human beings create around themselves are, by their nature, fragile things – some more fragile than others. In her directorial debut, actress Rebecca Hall addresses the malleability of identity via her adaptation of Nella ...

There are so many ancillary issues surrounding the release of Mel Gibson's The Passion of the Christ (née The Passion) that they threaten to dwarf the 127-minute movie that lies at the maelstrom's epicenter. (The controversy, whether real, concoc...

This review could be considered to contain spoilers.Past Lives is quietly powerful – an understated examination of longing, connection, and unconsummated love. In the way it plays with concepts like fate and soul mates, it’s sort-of an anti-Sle...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...

Pathfinder feels like one of those generic '80s action films where there's plenty of violence with no suspense, lots of stunt work but no excitement, and a cast of characters so poorly developed that it's easier to care about the background scenery...

For the second time in less than six months, Peter Berg and Mark Wahlberg have collaborated to recreate a “based on a true story” event that, at one point in recent history, dominated the news cycle for days on end. Deepwater Horizon, whi...